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Septimius Felton, or, the Elixir of Life by Nathaniel Hawthorne
page 5 of 198 (02%)
additions to the old wooden structure, and caused to be built a low tower,
which rose above the irregular roofs of the older and newer portions, thus
supplying him with a study lifted out of reach of noise or interruption,
and in a slight degree recalling the tower in which he had taken so much
pleasure at the Villa Montauto. The study was extremely simple in its
appointments, being finished chiefly in stained wood, with a vaulted
plaster ceiling, and containing, besides a few pictures and some plain
furniture, a writing-table, and a shelf at which Hawthorne sometimes wrote
standing. A story has gone abroad and is widely believed, that, on
mounting the steep stairs leading to this study, he passed through a
trap-door and afterwards placed upon it the chair in which he sat, so that
intrusion or interruption became physically impossible. It is wholly
unfounded. There never was any trap-door, and no precaution of the kind
described was ever taken. Immediately behind the house the hill rises in
artificial terraces, which, during the romancer's residence, were grassy
and planted with fruit-trees. He afterwards had evergreens set out there,
and directed the planting of other trees, which still attest his
preference for thick verdure. The twelve acres running back over the hill
were closely covered with light woods, and across the road lay a level
tract of eight acres more, which included a garden and orchard. From his
study Hawthorne could overlook a good part of his modest domain; the view
embraced a stretch of road lined with trees, wide meadows, and the hills
across the shallow valley. The branches of trees rose on all sides as if
to embower the house, and birds and bees flew about his casement, through
which came the fresh perfumes of the woods, in summer.

In this spot "Septimius Felton" was written; but the manuscript, thrown
aside, was mentioned in the Dedicatory Preface to "Our Old Home" as an
"abortive project." As will be found explained in the Introductory Notes
to "The Dolliver Romance" and "The Ancestral Footstep," that phase of the
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