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Old Calabria by Norman Douglas
page 140 of 451 (31%)

One likes to search for some existing animal prototype of a fabled
creature like this, seeing that to invent such things out of sheer
nothing is a feat beyond human ingenuity--or, at least, beyond what the
history of others of their kind leads us to expect. It may well be that
the Homeric writer was acquainted with the Uromastix lizard that occurs
in Asia Minor, and whoever has watched this beast, as I have done,
cannot fail to have been impressed by its contemplative gestures, as if
it were gazing intently _(drakon)_ at something. It is, moreover, a
"dweller in rocky places," and more than this, a vegetarian--an "eater
of poisonous herbs" as Homer somewhere calls his dragon. So Aristotle
says: "When the dragon has eaten much fruit, he seeks the juice of the
bitter lettuce; he has been seen to do this."

Are we tracking the dragon to his lair? Is this the aboriginal beast?
Not at all, I should say. On the contrary, this is a mere side-issue, to
follow which would lead us astray. The reptile-dragon was invented when
men had begun to forget what the arch-dragon was; it is the product of a
later stage--the materializing stage; that stage when humanity sought to
explain, in naturalistic fashion, the obscure traditions of the past. We
must delve still deeper. . . .

My own dragon theory is far-fetched--perhaps necessarily so, dragons
being somewhat remote animals. The dragon, I hold, is the
personification of the life within the earth--of that life which, being
unknown and uncontrollable, is _eo ipso_ hostile to man. Let me explain
how this point is reached.

The animal which _looks or regards. . . ._ Why--why an animal? Why not
_drakon =_ that which looks?
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