Air is represented in the two panels in the southwest corner. The one on
the south wall is called "The Hunters." The theme is suggested in the
idea of the arrows fleeing on the wings of the air, and also by the
flight of birds above.

The panel on the west wall is called "The Windmill." Note how the
feeling of moving air is suggested everywhere: in the skies at the back,
in the clouds and the kites, in the trees and the grain-field, in the
draperies, and even in the figures themselves that are braced against
the wind. The coloring is glorious, and the composition fine. The
disposition of masses of light and dark is notable the dark figures
grouped against the golden grain, and the gold-brown windmill against
the dark sky. No panel in the grounds will better repay intensive study.

Water is represented in the panels of the southwest corner of the court.
The one on the south wall is called "The Net," and typifies the wealth
that man draws from the water. A group of fishermen are hauling in a
net, and carriers bring baskets at the back.

"The Fountain," the panel on the east wall, shows a group of people who
have come to fill their jars at a spring. The colors here are softer,
though quite as rich as elsewhere. The lower half of the painting is,
indeed, like a richly colored mosaic.

After examining "The Fountain" at close range it is well to step back to
the middle of this south corridor. Look first at "The Windmill" and then
turn to look again at "The Fountain." Note, how, when the subjects are
once understood, the great distance increases rather than decreases the
charm of the paintings. Note especially how beautiful each one is when