The Thirteen by Honoré de Balzac
page 269 of 468 (57%)
page 269 of 468 (57%)
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of science or the poet can at once enjoy and comprehend, bringing
his intelligence to bear upon his enjoyment without loss of delight, he is conscious that the alphabet and phraseology of music are but cunning instruments for the composer, like the wood and copper wire under the hands of the executant. For the poet and the man of science there is a music existing apart, underlying the double expression of this language of the spirit and senses. _Andiamo mio ben_ can draw tears of joy or pitying laughter at the will of the singer; and not unfrequently one here and there in the world, some girl unable to live and bear the heavy burden of an unguessed pain, some man whose soul vibrates with the throb of passion, may take up a musical theme, and lo! heaven is opened for them, or they find a language for themselves in some sublime melody, some song lost to the world. The General was listening now to such a song; a mysterious music unknown to all other ears, as the solitary plaint of some mateless bird dying alone in a virgin forest. "Great Heavens! what are you playing there?" he asked in an unsteady voice. "The prelude of a ballad, called, I believe, _Fleuve du Tage_." "I did not know that there was such music in a piano," he returned. "Ah!" she said, and for the first time she looked at him as a woman looks at the man she loves, "nor do you know, my friend, that I love you, and that you cause me horrible suffering; and |
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