have been keeping abreast of us ever since we had slowed up. It was not
a largo boat, but it managed to contain two men with mandolins, a mother
of a family with a guitar, and a young girl with an alternate tambourine
and umbrella. The last instrument was inverted to catch the coins, such
as they were, which the passengers flung down to the minstrels for their
repetitions of "Santa Lucia," "Funicoli-Funicola," "II Cacciatore," and
other popular Neapolitan airs, such as "John Brown's Body" and "In the
Bowery." To the songs that had a waltz movement the mother of a family
performed a restricted dance, at some risk of falling overboard, while
she smiled radiantly up at us, as, in fact, they all did, except the
young girl, who had to play simultaneously on her tambourine and her
inverted umbrella, and seemed careworn. Her anxiety visibly deepened to
despair when she missed a shilling, which must have looked as large to
her as a full moon as it sank slowly down into the sea.

But her despair did not last long; nothing lasts long in Naples except
the joyful noise, which is incessant and perpetual, and which seems the
expression of the universal temperament in both man and beast. Our
good-fortune placed us in a hotel fronting the famous Castel dell' Ovo,
across a little space of land and water, and we could hear, late and
early, the cackling and crowing of the chickens which have replaced the
hapless prisoners of other days in that fortress. At times the voices of
the hens were lifted in a choral of self-praise, as if they had among
them just laid the mighty structure which takes its name from its
resemblance to the egg they ordinarily produce. In other lands the
peculiar note of the donkey is not thought very melodious, but in Naples
before it can fade away it is caught up in the general orchestration and
ceases in music. The cabmen at our corner, lying in wait by scores for
the strangers whom it is their convention to suppose ignorant of their
want of a carriage, quarrelled rhythmically with one another; the