Familiar Spanish Travels by William Dean Howells
page 126 of 311 (40%)
page 126 of 311 (40%)
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impolite leisure of a city of leisure not apparently overworked in any
of its classes. But at ten o'clock in the morning it was empty enough, and after a small purchase at one of the shops we passed from it without elbowing or being elbowed, and found ourselves at the portal of that ancient _posada_ where Cervantes is said to have once sojourned at least long enough to write one of his _Exemplary Novels._ He was of such a ubiquitous habit that if we had visited every city of Spain we should have found some witness of his stay, but I do not believe we could have found any more satisfactory than this. It is verified by a tablet in its outer wall, and within it is convincingly a _posada_ of his time. It has a large low-vaulted interior, with the carts and wagons of the muleteers at the right of the entrance, and beyond these the stalls of the mules where they stood chewing their provender, and glancing uninterestedly round at the intruders, for plainly we were not of the guests who frequent the place. Such, for a chamber like those around and behind the stalls, on the same earthen level, pay five cents of our money a day; they supply their own bed and board and pay five cents more for the use of a fire. Some guests were coming and going in the dim light of the cavernous spaces; others were squatting on the ground before their morning meal. An endearing smoke-browned wooden gallery went round three sides of the _patio_ overhead; half-way to this at one side rose an immense earthen watei jar, dim red; piles of straw mats, which were perhaps the bedding of the guests, heaped the ground or hung from the gallery; and the guests, among them a most beautiful youth, black as Africa, but of a Greek perfection of profile, regarded us with a friendly indifference that contrasted strikingly with the fixed stare of the bluish-gray hound beside one of the wagons. He had a human effect of having brushed his hair from his strange grave eyes, and of a sad, hopeless puzzle in the |
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