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Confessions and Criticisms by Julian Hawthorne
page 35 of 156 (22%)
words come through a medium; they are not quite spontaneous; these figures
have not the sad, human inevitableness of Turguenieff's people. The reason
seems to be (leaving the difference between the genius of the two writers
out of account) that the American, unlike the Russian, recognizes no
tragic importance in the situation. To the latter, the vision of life is
so ominous that his voice waxes sonorous and terrible; his eyes, made keen
by foreboding, see the leading elements of the conflict, and them only; he
is no idle singer of an empty day, but he speaks because speech springs
out of him. To his mind, the foundations of human welfare are in jeopardy,
and it is full time to decide what means may avert the danger. But the
American does not think any cataclysm is impending, or if any there be,
nobody can help it. The subjects that best repay attention are the minor
ones of civilization, culture, behavior; how to avoid certain vulgarities
and follies, how to inculcate certain principles: and to illustrate these
points heroic types are not needed. In other words, the situation being
unheroic, so must the actors be; for, apart from the inspirations of
circumstances, Napoleon no more than John Smith is recognizable as a hero.

Now, in adopting this view, a writer places himself under several manifest
disadvantages. If you are to be an agnostic, it is better (for novel-
writing purposes) not to be a complacent or resigned one. Otherwise your
characters will find it difficult to show what is in them. A man reveals
and classifies himself in proportion to the severity of the condition or
action required of him, hence the American novelist's people are in
considerable straits to make themselves adequately known to us. They
cannot lay bare their inmost soul over a cup of tea or a picture by Corot;
so, in order to explain themselves, they must not only submit to
dissection at the author's hands, but must also devote no little time and
ingenuity to dissecting themselves and one another. But dissection is one
thing, and the living word rank from the heart and absolutely reeking of
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