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Confessions and Criticisms by Julian Hawthorne
page 78 of 156 (50%)
by denying himself. But the only goodness that is really good is a
spontaneous and impersonal evolution, and this occurs, not where self-
denial has been practised, but only where a man feels himself to be
absolutely on the same level of desert or non-desert as are the mass of
his fellow-creatures. There is no use in obeying the commandments, unless
it be done, not to make one's self more deserving than another of God's
approbation, but out of love for goodness and truth in themselves, apart
from any personal considerations. The difference between true religion and
formal religion is that the first leads us to abandon all personal claims
to salvation, and to care only for the salvation of humanity as a whole;
whereas the latter stimulates is to practise outward self-denial, in order
that our real self may be exalted. Such self-denial results not in
humility, but in spiritual pride.

In no other way than this, it seems to me, can art and morality be brought
into harmony. Art bears witness to the presence in us of something purer
and loftier than anything of which we can be individually conscious. Its
complete expression we call inspiration; and he who is the subject of the
inspiration can account no better than any one else for the result which
art accomplishes through him. The perfect poem is found, not made; the
mind which utters it did not invent it. Art takes all nature and all
knowledge for her province; but she does not leave it as she found it; by
the divine necessity that is upon her, she breathes a soul into her
materials, and organizes chaos into form. But never, under any
circumstances, does she deign to minister to our selfish personal hope or
greed. She shows us how to love our neighbor, never ourselves. Shakspeare,
Homer, Phidias, Raphael, were no Pharisees--at least in so far as they
were artists; nor did any one ever find in their works any countenance for
that inhuman assumption--"I am holier than thou!" In the world's darkest
hours, art has sometimes stood as the sole witness of the nobler life that
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