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Daniel Deronda by George Eliot
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envoy with a scrolled mustache. The pile was in half a minute pushed over
to an old bewigged woman with eye-glasses pinching her nose. There was a
slight gleam, a faint mumbling smile about the lips of the old woman; but
the statuesque Italian remained impassive, and--probably secure in an
infallible system which placed his foot on the neck of chance--immediately
prepared a new pile. So did a man with the air of an emaciated beau or
worn-out libertine, who looked at life through one eye-glass, and held out
his hand tremulously when he asked for change. It could surely be no
severity of system, but rather some dream of white crows, or the induction
that the eighth of the month was lucky, which inspired the fierce yet
tottering impulsiveness of his play.

But, while every single player differed markedly from every other, there
was a certain uniform negativeness of expression which had the effect of a
mask--as if they had all eaten of some root that for the time compelled
the brains of each to the same narrow monotony of action.

Deronda's first thought when his eyes fell on this scene of dull, gas-
poisoned absorption, was that the gambling of Spanish shepherd-boys had
seemed to him more enviable:--so far Rousseau might be justified in
maintaining that art and science had done a poor service to mankind. But
suddenly he felt the moment become dramatic. His attention was arrested by
a young lady who, standing at an angle not far from him, was the last to
whom his eyes traveled. She was bending and speaking English to a middle-
aged lady seated at play beside her: but the next instant she returned to
her play, and showed the full height of a graceful figure, with a face
which might possibly be looked at without admiration, but could hardly be
passed with indifference.

The inward debate which she raised in Deronda gave to his eyes a growing
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