Daniel Deronda by George Eliot
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envoy with a scrolled mustache. The pile was in half a minute pushed over
to an old bewigged woman with eye-glasses pinching her nose. There was a slight gleam, a faint mumbling smile about the lips of the old woman; but the statuesque Italian remained impassive, and--probably secure in an infallible system which placed his foot on the neck of chance--immediately prepared a new pile. So did a man with the air of an emaciated beau or worn-out libertine, who looked at life through one eye-glass, and held out his hand tremulously when he asked for change. It could surely be no severity of system, but rather some dream of white crows, or the induction that the eighth of the month was lucky, which inspired the fierce yet tottering impulsiveness of his play. But, while every single player differed markedly from every other, there was a certain uniform negativeness of expression which had the effect of a mask--as if they had all eaten of some root that for the time compelled the brains of each to the same narrow monotony of action. Deronda's first thought when his eyes fell on this scene of dull, gas- poisoned absorption, was that the gambling of Spanish shepherd-boys had seemed to him more enviable:--so far Rousseau might be justified in maintaining that art and science had done a poor service to mankind. But suddenly he felt the moment become dramatic. His attention was arrested by a young lady who, standing at an angle not far from him, was the last to whom his eyes traveled. She was bending and speaking English to a middle- aged lady seated at play beside her: but the next instant she returned to her play, and showed the full height of a graceful figure, with a face which might possibly be looked at without admiration, but could hardly be passed with indifference. The inward debate which she raised in Deronda gave to his eyes a growing |
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