Crucial Instances by Edith Wharton
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page 12 of 192 (06%)
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"He was a fine young man, beautiful as a Saint Sebastian, a rare musician,
who sang his own songs to the lute in a way that used to make my grandmother's heart melt and run through her body like mulled wine. He had a good word for everybody, too, and was always dressed in the French fashion, and smelt as sweet as a bean-field; and every soul about the place welcomed the sight of him. "Well, the Duchess, it seemed, welcomed it too; youth will have youth, and laughter turns to laughter; and the two matched each other like the candlesticks on an altar. The Duchess--you've seen her portrait--but to hear my grandmother, sir, it no more approached her than a weed comes up to a rose. The Cavaliere, indeed, as became a poet, paragoned her in his song to all the pagan goddesses of antiquity; and doubtless these were finer to look at than mere women; but so, it seemed, was she; for, to believe my grandmother, she made other women look no more than the big French fashion-doll that used to be shown on Ascension days in the Piazza. She was one, at any rate, that needed no outlandish finery to beautify her; whatever dress she wore became her as feathers fit the bird; and her hair didn't get its color by bleaching on the housetop. It glittered of itself like the threads in an Easter chasuble, and her skin was whiter than fine wheaten bread and her mouth as sweet as a ripe fig.... "Well, sir, you could no more keep them apart than the bees and the lavender. They were always together, singing, bowling, playing cup and ball, walking in the gardens, visiting the aviaries and petting her grace's trick-dogs and monkeys. The Duchess was as gay as a foal, always playing pranks and laughing, tricking out her animals like comedians, disguising herself as a peasant or a nun (you should have seen her one day pass herself off to the chaplain as a mendicant sister), or teaching the lads and girls of the vineyards to dance and sing madrigals together. The |
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