prolixity and the absence of all dramatic action, it continues to this
day to make its appeal to the fancy of the literary. A poetic breath
animates it, and it is characterized by the artistic taste that is one
of the distinctions of its author.

It was a new world that _Migdal 'Oz_, by its laudation of rural
life, disclosed to the votaries of a literature the most enlightened
representatives of which refused to see in the Song of Songs anything
but religious symbolism, so far had their appreciation of reality and
nature degenerated.

In imitation of the pastorals of his time, though it may be with more
genuine feeling, Luzzatto sings the praises of the shepherd's life:

"How beautiful, how sweet, is the lot of the young shepherd of
flocks! Between the folds he leads his sheep, now walking, now
running hither and thither. Poor though he is, he is full of joy.
His countenance reflects the gladness of his heart. In the shade
of trees he reposes, and apprehends no danger. Poor though he is,
yet he is happy....

"The maiden who charms his eyes, and attracts his desire, in whom
his heart has pleasure, returns his affection with responsive
gladness. They know naught but delight--neither separation nor
obstacle affrights them. They sport together, they enjoy their
happiness, with none to disturb. When weariness steals over him,
he forgets his toil on her bosom; the light of her countenance
swiftly banishes all thought of his travail. Poor though he is,
yet he is happy!" (Act III, scene I.)