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The Renascence of Hebrew Literature (1743-1885) by Nahum Slouschz
page 15 of 209 (07%)
and Taawah (Passion). The two hostile camps strive together for the
favor of the beautiful maiden Tehillah (Glory), the daughter of Hamon
(the Crowd). The struggle is unequal. Imagination and Passion carry the
day in the face of Truth and Righteousness. Then the inevitable _deus
ex machina_, in this case God Himself, intervenes, and Justice is
again enthroned.

This simple and not strikingly original frame encloses beautiful
descriptions of nature and, above all, sublime thoughts, which make the
piece one of the gems of Hebrew poetry. The predominant idea of the book
is to glorify God and admire the "innumerable wonders of the Creator."

"All who seek will find them, in every living being, in every
plant, in every lifeless object, in all things on earth and in
the sea, in whatsoever the human eye rests upon. Happy he who
hath found knowledge and wisdom, happy he if their speech hath
fallen upon an attentive ear!" (Act II, scene I.)

But the Creator is not capricious. Reason and Truth are His attributes,
and they appear in all His acts. Humanity is a mob, and two opposing
forces contend for the mastery over it: Truth with Righteousness on one
side, Falsehood and her ilk on the other. Each of these two forces seeks
to rule the crowd and prevail in triumph.

The Reason personified by the poet has nothing in common with the
positive Reason of the rationalists, which takes the world to be
directed by mechanical and immutable laws. It is supreme Reason, obeying
moral laws too sublimated for our powers of appreciation. How could it
be otherwise? Are we not the continual plaything of our senses, which
are incapable of grasping absolute truths, and deceive us even about the
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