The Renascence of Hebrew Literature (1743-1885) by Nahum Slouschz
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page 15 of 209 (07%)
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and Taawah (Passion). The two hostile camps strive together for the
favor of the beautiful maiden Tehillah (Glory), the daughter of Hamon (the Crowd). The struggle is unequal. Imagination and Passion carry the day in the face of Truth and Righteousness. Then the inevitable _deus ex machina_, in this case God Himself, intervenes, and Justice is again enthroned. This simple and not strikingly original frame encloses beautiful descriptions of nature and, above all, sublime thoughts, which make the piece one of the gems of Hebrew poetry. The predominant idea of the book is to glorify God and admire the "innumerable wonders of the Creator." "All who seek will find them, in every living being, in every plant, in every lifeless object, in all things on earth and in the sea, in whatsoever the human eye rests upon. Happy he who hath found knowledge and wisdom, happy he if their speech hath fallen upon an attentive ear!" (Act II, scene I.) But the Creator is not capricious. Reason and Truth are His attributes, and they appear in all His acts. Humanity is a mob, and two opposing forces contend for the mastery over it: Truth with Righteousness on one side, Falsehood and her ilk on the other. Each of these two forces seeks to rule the crowd and prevail in triumph. The Reason personified by the poet has nothing in common with the positive Reason of the rationalists, which takes the world to be directed by mechanical and immutable laws. It is supreme Reason, obeying moral laws too sublimated for our powers of appreciation. How could it be otherwise? Are we not the continual plaything of our senses, which are incapable of grasping absolute truths, and deceive us even about the |
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