desolate of existences, a life on a Newfoundland fishing-smack. Three long
years he spent as one of a rude crew with whom he could have nothing in
common save the daily death-struggle with the elements. But these years
finished the preparatory stage of Hamsun's education. During the solitary
watches he matured as an artist and as a man. In his very first effort
upon his return to civilisation he proved that the days of aimless
fumblings were over: in "Hunger" he stands suddenly revealed as a master
of style and description, a bold and independent thinker, a penetrating,
keen psychologist, a realist of marked virility.

Since "Hunger" was written Hamsun has published over thirty large works--
novels, dramas, travel descriptions, essays, and poems. Every one of them
is of a high order. Each is unlike the rest; but through them all flash in
vivid gleams a dazzling witchery of style, a bewildering originality, a
passionate nature-worship, and an imagination which at times takes away
the breath.

"Shallow Soil," in some respects the most contained of Hamsun's works, is
perhaps best suited as a medium for his introduction to Anglo-Saxon
readers. In a very complete analysis of Hamsun's authorship the German
literary critic, Professor Carl Morburger, thus refers to "Shallow Soil":

"Not only is this book Knut Hamsun's most significant work, but it gives
the very best description available of life in Christiania toward the
close of the century. A book of exquisite lyric beauty, of masterly
psychology, and finished artistic form, it is so rich in idea and life
that one must refrain from touching on the contents in order to keep
within the narrow limits of this essay. A most superbly delicate
delineation of the feminine soul is here given in the drawing of Hanka and
Aagot; nowhere else is woman's love in its dawn and growth described with