Eugene Aram — Volume 05 by Baron Edward Bulwer Lytton Lytton
page 70 of 120 (58%)
page 70 of 120 (58%)
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But Madeline--Great God! how sanguine is a woman's heart, when the
innocence, the fate of the one she loves is concerned!--a radiant flush broke over a face so colourless before; and with a joyous look, a kindled eye, a lofty brow, she turned to Ellinor, pressed her hand in silence, and once more gave up her whole soul to the dread procedure of the court. The Judge now began.--It is greatly to be regretted, that we have no minute and detailed memorial of the trial, except only the prisoner's defence. The summing up of the Judge was considered at that time scarce less remarkable than the speech of the prisoner. He stated the evidence with peculiar care and at great length to the jury. He observed how the testimony of the other deponents confirmed that of Houseman; and then, touching on the contradictory parts of the latter, he made them understand, how natural, how inevitable was some such contradiction in a witness who had not only to give evidence against another, but to refrain from criminating himself. There could be no doubt but that Houseman was an accomplice in the crime; and all therefore that seemed improbable in his giving no alarm when the deed was done, was easily rendered natural, and reconcileable with the other parts of his evidence. Commenting then on the defence of the prisoner (who, as if disdaining to rely on aught save his own genius or his own innocence, had called no witnesses, as he had employed no counsel), and eulogizing its eloquence and art, till he destroyed their effect by guarding the jury against that impression which eloquence and art produce in defiance of simple fact, he contended that Aram had yet alleged nothing to invalidate the positive evidence against him. I have often heard, from men accustomed to courts of law, that nothing is more marvellous, than the sudden change in a jury's mind, which the summing up of the Judge can produce; and in the present instance it was |
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