"It is the work of a clever man, certainly," said Sir Joshua; "but"
(terrible monosyllable) "of one utterly unskilled in the grand
principles of his art--look here, and here, and here, for instance;"
and the critic, perfectly unconscious of the torture he inflicted,
proceeded to point out the errors of the work. Oh! the agony, the
withering agony of that moment to the ambitious artist! In vain he
endeavoured to bear up against the judgment,--in vain he endeavoured
to persuade himself that it was the voice of envy which in those cold,
measured, defining accents, fell like drops of poison upon his heart.
He felt at once, and as if by a magical inspiration, the truth of the
verdict; the scales of self-delusion fell from his eyes; by a hideous
mockery, a kind of terrible pantomime, his goddess seemed at a word, a
breath, transformed into a monster: life, which had been so lately
concentrated into a single hope, seemed now, at once and forever,
cramped, curdled, blistered into a single disappointment.

"But," said Talbot, who had in vain attempted to arrest the criticisms
of the painter (who, very deaf at all times, was, at that time in
particular, engrossed by the self-satisfaction always enjoyed by one
expatiating on his favourite topic),--"but," said Talbot, in a louder
voice, "you own there is great genius in the design?"

"Certainly, there is genius," replied Sir Joshua, in a tone of calm
and complacent good-nature; "but what is genius without culture? You
say the artist is young, very young; let him take time: I do not say
let him attempt a humbler walk; let him persevere in the lofty one he
has chosen, but let him first retrace every step he has taken; let him
devote days, months, years, to the most diligent study of the immortal
masters of the divine art, before he attempts (to exhibit, at least)