CHAPTER VI.

Wherein the historian tracks the public characters that fret their
hour on the stage, into the bosom of private life.--The reader is
invited to arrive at a conclusion which may often, in periods of
perplexity, restore ease to his mind; namely, that if man will
reflect on all the hopes he has nourished, all the fears he has
admitted, all the projects he has formed, the wisest thing he can
do, nine times out of ten, with hope, fear, and project, is to let
them end with the chapter--in smoke.

It was past nine o'clock in the evening of the following day. The
exhibition at Mr. Rugge's theatre had closed for the season in that
village, for it was the conclusion of the fair. The final performance
had been begun and ended somewhat earlier than on former nights. The
theatre was to be cleared from the ground by daybreak, and the whole
company to proceed onward betimes in the morning. Another fair awaited
them in an adjoining county, and they had a long journey before them.

Gentleman Waife and his Juliet Araminta had gone to their lodgings over
the Cobbler's stall. Their rooms were homely enough, but had an air not
only of the comfortable, but the picturesque. The little sitting-room
was very old-fashioned,--panelled in wood that had once been painted
blue, with a quaint chimney-piece that reached to the ceiling. That part
of the house spoke of the time of Charles I., it might have been tenanted
by a religious Roundhead; and, framed-in over the low door, there was a
grim, faded portrait of a pinched-faced saturnine man, with long lank
hair, starched band, and a length of upper lip that betokened relentless
obstinacy of character, and might have curled in sullen glee at the
monarch's scaffold, or preached an interminable sermon to the stout