Mr. Darrell, crossing the hall, threw open a door opposite to that by
which Lionel entered, and the lake (we will so call it) lay before them,
--separated from the house only by a shelving gradual declivity, on which
were a few beds of flowers,--not the most in vogue nowadays, and disposed
in rambling old-fashioned parterres. At one angle, a quaint and
dilapidated sun-dial; at the other, a long bowling-alley, terminated by
one of those summer-houses which the Dutch taste, following the
Revolution of 1688, brought into fashion. Mr. Darrell passed down this
alley (no bowls there now), and observing that Lionel looked curiously
towards the summer-house, of which the doors stood open, entered it. A
lofty room with coved ceiling, painted with Roman trophies of helms and
fasces, alternated with crossed fifes and fiddles, painted also.

"Amsterdam manners," said Mr. Darrell, slightly shrugging his shoulders.
"Here a former race heard music, sang glees, and smoked from clay pipes.
That age soon passed, unsuited to English energies, which are not to be
united with Holland phlegm! But the view from the window-look out there.
I wonder whether men in wigs and women in hoops enjoyed that. It is a
mercy they did not clip those banks into a straight canal!"

The view was indeed lovely,--the water looked so blue and so large and so
limpid, woods and curving banks reflected deep on its peaceful bosom.

"How Vance would enjoy this!" cried Lionel. "It would come into a
picture even better than the Thames."

"Vance? who is Vance?"

"The artist,--a great friend of mine. Surely, sir, you have heard of him