recipe for making the perfect tea, as there are no rules for
producing a Titian or a Sesson. Each preparation of the leaves
has its individuality, its special affinity with water and heat,
its own method of telling a story. The truly beautiful must
always be in it. How much do we not suffer through the constant
failure of society to recognise this simple and fundamental
law of art and life; Lichilai, a Sung poet, has sadly remarked
that there were three most deplorable things in the world: the
spoiling of fine youths through false education, the degradation
of fine art through vulgar admiration, and the utter waste of
fine tea through incompetent manipulation.

Like Art, Tea has its periods and its schools. Its evolution
may be roughly divided into three main stages: the Boiled Tea,
the Whipped Tea, and the Steeped Tea. We moderns belong
to the last school. These several methods of appreciating
the beverage are indicative of the spirit of the age in which
they prevailed. For life is an expression, our unconscious
actions the constant betrayal of our innermost thought.
Confucius said that "man hideth not." Perhaps we reveal ourselves
too much in small things because we have so little of the great
to conceal. The tiny incidents of daily routine are as much a
commentary of racial ideals as the highest flight of philosophy
or poetry. Even as the difference in favorite vintage marks
the separate idiosyncrasies of different periods and nationalities
of Europe, so the Tea-ideals characterise the various moods
of Oriental culture. The Cake-tea which was boiled, the
Powdered-tea which was whipped, the Leaf-tea which was
steeped, mark the distinct emotional impulses of the Tang,
the Sung, and the Ming dynasties of China. If we were