Our pottery would probably never have attained its high quality
of excellence if the tea-masters had not lent it to their inspiration,
the manufacture of the utensils used in the tea-ceremony
calling forth the utmost expenditure of ingenuity on the parts of
our ceramists. The Seven Kilns of Enshiu are well known to all
students of Japanese pottery. many of our textile fabrics bear the
names of tea-masters who conceived their color or design. It is
impossible, indeed, to find any department of art in which the
tea-masters have not left marks of their genius. In painting and
lacquer it seems almost superfluous to mention the immense
services they have rendered. One of the greatest schools of painting
owes its origin to the tea-master Honnami-Koyetsu, famed also as
a lacquer artist and potter. Beside his works, the splendid creation
of his grandson, Koho, and of his grand-nephews, Korin and Kenzan,
almost fall into the shade. The whole Korin school, as it is generally
designated, is an expression of Teaism. In the broad lines of this
school we seem to find the vitality of nature herself.

Great as has been the influence of the tea-masters in the field of art,
it is as nothing compared to that which they have exerted on the
conduct of life. Not only in the usages of polite society, but also
in the arrangement of all our domestic details, do we feel the
presence of the tea-masters. Many of our delicate dishes, as well
as our way of serving food, are their inventions. They have
taught us to dress only in garments of sober colors. They have
instructed us in the proper spirit in which to approach flowers.
They have given emphasis to our natural love of simplicity, and
shown us the beauty of humility. In fact, through their teachings
tea has entered the life of the people.