House of the Seven Gables by Nathaniel Hawthorne
page 29 of 365 (07%)
page 29 of 365 (07%)
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Pyncheon, about a hundred years ago, with circumstances very similar
to what have been related of the Colonel's exit, was held as giving additional probability to the received opinion on this topic. It was considered, moreover, an ugly and ominous circumstance, that Colonel Pyncheon's picture--in obedience, it was said, to a provision of his will--remained affixed to the wall of the room in which he died. Those stern, immitigable features seemed to symbolize an evil influence, and so darkly to mingle the shadow of their presence with the sunshine of the passing hour, that no good thoughts or purposes could ever spring up and blossom there. To the thoughtful mind there will be no tinge of superstition in what we figuratively express, by affirming that the ghost of a dead progenitor--perhaps as a portion of his own punishment--is often doomed to become the Evil Genius of his family. The Pyncheons, in brief, lived along, for the better part of two centuries, with perhaps less of outward vicissitude than has attended most other New England families during the same period of time. Possessing very distinctive traits of their own, they nevertheless took the general characteristics of the little community in which they dwelt; a town noted for its frugal, discreet, well-ordered, and home-loving inhabitants, as well as for the somewhat confined scope of its sympathies; but in which, be it said, there are odder individuals, and, now and then, stranger occurrences, than one meets with almost anywhere else. During the Revolution, the Pyncheon of that epoch, adopting the royal side, became a refugee; but repented, and made his reappearance, just at the point of time to preserve the House of the Seven Gables from confiscation. For the last seventy years the most noted event in the Pyncheon annals had been likewise the heaviest calamity that ever befell the race; no less than the violent |
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