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House of the Seven Gables by Nathaniel Hawthorne
page 35 of 365 (09%)
Modern psychology, it may be, will endeavor to reduce these
alleged necromancies within a system, instead of rejecting
them as altogether fabulous.

A descriptive paragraph or two, treating of the seven-gabled
mansion in its more recent aspect, will bring this preliminary
chapter to a close. The street in which it upreared its venerable
peaks has long ceased to be a fashionable quarter of the town;
so that, though the old edifice was surrounded by habitations of
modern date, they were mostly small, built entirely of wood, and
typical of the most plodding uniformity of common life. Doubtless,
however, the whole story of human existence may be latent in each
of them, but with no picturesqueness, externally, that can attract
the imagination or sympathy to seek it there. But as for the old
structure of our story, its white-oak frame, and its boards,
shingles, and crumbling plaster, and even the huge, clustered
chimney in the midst, seemed to constitute only the least and
meanest part of its reality. So much of mankind's varied experience
had passed there,--so much had been suffered, and something, too,
enjoyed,--that the very timbers were oozy, as with the moisture
of a heart. It was itself like a great human heart, with a life
of its own, and full of rich and sombre reminiscences.

The deep projection of the second story gave the house such a
meditative look, that you could not pass it without the idea that
it had secrets to keep, and an eventful history to moralize upon.
In front, just on the edge of the unpaved sidewalk, grew the
Pyncheon Elm, which, in reference to such trees as one usually
meets with, might well be termed gigantic. It had been planted
by a great-grandson of the first Pyncheon, and, though now
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