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Biographical Notes on the Pseudonymous Bells by Charlotte Brontë
page 3 of 16 (18%)
absorbing tasks occupied us, now suddenly acquired strength and
consistency: it took the character of a resolve. We agreed to
arrange a small selection of our poems, and, if possible, to get
them printed. Averse to personal publicity, we veiled our own
names under those of Currer, Ellis, and Acton Bell; the ambiguous
choice being dictated by a sort of conscientious scruple at
assuming Christian names positively masculine, while we did not
like to declare ourselves women, because--without at that time
suspecting that our mode of writing and thinking was not what is
called 'feminine'--we had a vague impression that authoresses are
liable to be looked on with prejudice; we had noticed how critics
sometimes use for their chastisement the weapon of personality, and
for their reward, a flattery, which is not true praise.

The bringing out of our little book was hard work. As was to be
expected, neither we nor our poems were at all wanted; but for this
we had been prepared at the outset; though inexperienced ourselves,
we had read the experience of others. The great puzzle lay in the
difficulty of getting answers of any kind from the publishers to
whom we applied. Being greatly harassed by this obstacle, I
ventured to apply to the Messrs. Chambers, of Edinburgh, for a word
of advice; THEY may have forgotten the circumstance, but _I_ have
not, for from them I received a brief and business-like, but civil
and sensible reply, on which we acted, and at last made a way.

The book was printed: it is scarcely known, and all of it that
merits to be known are the poems of Ellis Bell. The fixed
conviction I held, and hold, of the worth of these poems has not
indeed received the confirmation of much favourable criticism; but
I must retain it notwithstanding.
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