Tomlinsoniana by Baron Edward Bulwer Lytton Lytton
page 30 of 33 (90%)
page 30 of 33 (90%)
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complexion and degree in every country and in every age; so also, and
consequently, is the love of the imagination. As a proof, observe that you sympathize with the romantic love of other times or nations only in proportion as you sympathize with their poetry and imaginative literature. The love which stalks through the "Arcadia" or "Amadis of Gaul" is to the great bulk of readers coldly insipid or solemnly ridiculous. Alas! when those works excited enthusiasm, so did the love which they describe. The long speeches, the icy compliments, expressed the feeling of the day. The love madrigals of the time of Shenstone, or the brocade gallantries of the French poets in the last century, any woman now would consider hollow or childish, imbecile or artificial. Once the songs were natural, and the love seductive. And now, my young friends, in the year 1822, in which I write, and shall probably die, the love which glitters through Moore, and walks so ambitiously ambiguous through the verse of Byron; the love which you consider now so deep and so true; the love which tingles through the hearts of your young ladies, and sets you young gentlemen gazing on the evening star,--all that love too will become unfamiliar or ridiculous to an after age; and the young aspirings and the moonlight dreams and the vague fiddle-de-dees which ye now think so touching and so sublime will go, my dear boys, where Cowley's Mistress and Waller's Sacharissa have gone before,--go with the Sapphos and the Chloes, the elegant "charming fairs," and the chivalric "most beauteous princesses!" The only love-poetry that stands through all time and appeals to all hearts is that which is founded on either or both the species of love natural to all men,--the love of the senses, and the love of custom. In the latter is included what middle-aged men call the rational attachment, the charm of congenial minds, as well as the homely and warmer accumulation of little memories of simple kindness, or the mere brute habitude of seeing a face as one would see a chair. These, sometimes singly, sometimes skilfully blended, make the theme of those |
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