not to notice him, then concentrating his attention on Frederic
Lemercier, who sits square with his hands clasped,--Lucien Duplessis
is somewhere between forty and fifty, rather below the middle height,
slender, but not slight,--what in English phrase is called "wiry."
He is dressed with extreme simplicity: black frockcoat buttoned up; black
cravat worn higher than men who follow the fashions wear their neckcloths
nowadays; a hawk's eye and a hawk's beak; hair of a dull brown, very
short, and wholly without curl; his cheeks thin and smoothly shaven,
but he wears a mustache and imperial, plagiarized from those of his
sovereign, and, like all plagiarisms, carrying the borrowed beauty to
extremes, so that the points of mustache and imperial, stiffened and
sharpened by cosmetics which must have been composed of iron, looked like
three long stings guarding lip and jaw from invasion; a pale olive-brown
complexion, eyes small, deep-sunk, calm, piercing; his expression of face
at first glance not striking, except for quiet immovability. Observed
more heedfully, the expression was keenly intellectual,--determined about
the lips, calculating about the brows: altogether the face of no ordinary
man, and one not, perhaps, without fine and high qualities, concealed
from the general gaze by habitual reserve, but justifying the confidence
of those whom he admitted into his intimacy.

"Ah, mon cher," said Lemercier, "you promised to call on me yesterday at
two o'clock. I waited in for you half an hour; you never came."

"No; I went first to the Bourse. The shares in that Company we spoke of
have fallen; they will fall much lower: foolish to buy in yet; so the
object of my calling on you was over. I took it for granted you would
not wait if I failed my appointment. Do you go to the opera to-night?"

"I think not; nothing worth going for: besides, I have found an old