"I cannot say how much I wish to hear you."

Isaura moved to the instrument, and Graham stood behind her. Perhaps he
felt that he should judge more impartially of her voice if not subjected
to the charm of her face.

But the first note of the voice held him spell-bound. In itself the
organ was of the rarest order, mellow and rich, but so soft that its
power was lost in its sweetness, and so exquisitely fresh in every note.

But the singer's charm was less in voice than in feeling; she conveyed to
the listener so much more than was said by the words, or even implied by
the music. Her song in this caught the art of the painter who impresses
the mind with the consciousness of a something which the eye cannot
detect on the canvas.

She seemed to breathe out from the depths of her heart the intense pathos
of the original romance, so far exceeding that of the opera,-the human
tenderness, the mystic terror of a tragic love-tale more solemn in its
sweetness than that of Verona.

When her voice died away no applause came,--not even a murmur. Isaura
bashfully turned round to steal a glance at her silent listener, and
beheld moistened eyes and quivering lips. At that moment she was
reconciled to her art. Graham rose abruptly and walked to the window.

"Do you doubt now if you are fond of music?" cried the Venosta.

"This is more than music," answered Graham, still with averted face.
Then, after a short pause, he approached Isaura, and said, with a