Parisians, the — Volume 08 by Baron Edward Bulwer Lytton Lytton
page 46 of 47 (97%)
page 46 of 47 (97%)
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exclusive. Each of them is an expostulation against what seemed to him
the perilous popularity of certain social and political theories, or a warning against the influence of certain intellectual tendencies upon individual character and national life. This purpose, however, though common to the three fictions, is worked out in each of them by a different method. The Coming Race is a work of pure fancy, and the satire of it is vague and sportive. The outlines of a definite purpose are more distinctly drawn in Chillingly-a romance which has the source of its effect in a highly-wrought imagination. The humour and pathos of Chillingly are of a kind incompatible with the design of The Parisians, which is a work of dramatised observation. Chillingly is a romance; The Parisians is a Novel. The subject of Chillingly is psychological; that of The Parisians is social. The author's object in Chillingly being to illustrate the effects of "modern ideas" upon an individual character, he has confined his narrative to the biography of that one character. Hence the simplicity of plot and small number of dramatis personae; whereby the work gains in height and depth what it loses in breadth of surface. The Parisians, on the contrary, is designed to illustrate the effect of "modern ideas" upon a whole community. This novel is therefore panoramic in the profusion and variety of figures presented by it to the reader's imagination. No exclusive prominence is vouchsafed to any of these figures. All of them are drawn and coloured with an equal care, but by means of the bold broad touches necessary for their effective presentation on a canvas so large and so crowded. Such figures are, indeed, but the component features of one great Form, and their actions only so many modes of one collective impersonal character-that of the Parisian Society of Imperial and Democratic France;-a character everywhere present and busy throughout the story, of which it is the real hero or heroine. This society was doubtless selected for characteristic illustration as being the most advanced in the progress of "modern |
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