Memoirs of the Life of the Rt. Hon. Richard Brinsley Sheridan — Volume 02 by Thomas Moore
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page 40 of 425 (09%)
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glare of words for the glitter of ideas, and, like the Helen of the
sculptor Lysippus, makes finery supply the place of beauty. The figurative definition of eloquence in the Book of Proverbs--"Apples of gold in a net-work of silver"--is peculiarly applicable to that enshrinement of rich, solid thoughts in clear and shining language, which is the triumph of the imaginative class of writers and orators,--while, perhaps, the net-work, _without_ the gold inclosed, is a type equally significant of what is called "flowery" eloquence. It is also, I think, a mistake, however flattering to my country, to call the School of Oratory, to which Burke belongs, _Irish_. That Irishmen are naturally more gifted with those stores of fancy, from which the illumination of this high order of the art must be supplied, the names of Burke, Grattan, Sheridan, Curran, Canning, and Plunkett, abundantly testify. Yet had Lord Chatham, before any of these great speakers were heard, led the way, in the same animated and figured strain of oratory; [Footnote: His few noble sentences on the privilege of the poor man's cottage are universally known. There is also his fanciful allusion to the confluence of the Saone and Rhone, the traditional reports of which vary, both as to the exact terms in which it was expressed, and the persons to whom he applied it. Even Lord Orford does not seem to have ascertained the latter point. To these may be added the following specimen:--"I don't inquire from what quarter the wind cometh, but whither it goeth; and, if any measure that comes from the Right Honorable Gentleman tends to the public good, my bark is ready." Of a different kind is that grand passage,--"America, they tell me, has resisted--I rejoice to hear it,"--which Mr. Grattan used to pronounce finer than anything in Demosthenes.] while another Englishman, Lord Bacon, by making Fancy the hand-maid of Philosophy, had long since set an example of that union of the imaginative and the solid, which, both in |
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