"I'll jest take my foot in my hand, an' light out." She turned, and
with a nod was gone. The man rose, and made his way carefully over to a
mossy bank, where he sat down with his back against a century-old tree
to wait.

The beauty of this forest interior had first lured him to pause, and
then to begin painting. The place had not treated him kindly, as the
pain in his wrist reminded.

No, but the beauty was undeniable. A clump of rhododendron, a little
higher up, dashed its pale clusters against a background of evergreen
thicket, and a catalpa tree loaned the perfume of its white blossoms
with their wild little splashes of crimson and purple and orange to the
incense which the elder bushes were contributing.

Climbing fleetly up through steep and tangled slopes, and running as
fleetly down; crossing a brawling little stream on a slender trunk of
fallen poplar; the girl hastened on her mission. Her lungs drank the
clear air in regular tireless draughts. Once only, she stopped and drew
back. There was a sinister rustle in the grass, and something glided
into her path and lay coiled there, challenging her with an ominous
rattle, and with wicked, beady eyes glittering out of a swaying, arrow
-shaped head. Her own eyes instinctively hardened, and she glanced
quickly about for a heavy piece of loose timber. But that was only for
an instant, then she took a circuitous course, and left her enemy in
undisputed possession of the path.

"I hain't got no time ter fool with ye now, old rattlesnake," she
called back, as she went. "Ef I wasn't in sech a hurry, I'd shore bust
yer neck."