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Expressive Voice Culture, Including the Emerson System by Jessie Eldridge Southwick
page 12 of 35 (34%)
To reproduce the impulse born of the thought--this is the aim of a
psychological method. This is secured only by right objects of thought; it
is impossible to reach it by voluntary mechanics.


SMOOTHNESS AND HARMONY OF UTTERANCE

Having obtained the results sought in our last division, we should learn
to manipulate the elements of speech fluently without breaking their
relation to (harmony with) the primary focus, or direction of tone.

Practise the same sentence, "_Most men_" etc., striving to make every
tone and the form of every element perfect, without dwelling upon them
separately; practise this (as also the preceding exercises) upon various
degrees of pitch in the musical scale, generally beginning on a "medium
high" pitch, then lower, and afterwards higher. Strive to speak or sing
fluently without breaking the quality of tone used. A break in quality
signifies loss of focus.

The object of this practise is to attain facility in manipulating the
elements while maintaining the smooth quality of the tone. After this
sentence other sentences may be used in reference to the same idea. The
primary exercise given should always be reverted to as a working center,
in order to secure, through repetition, a deepening of the tendency
involved. Variety is admissible only in addition to the original exercise,
but should not be substituted for it.


FOR THE DEVELOPMENT OF MUSICAL EXPRESSIVENESS OF TONES

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