Melody : the Story of a Child by Laura Elizabeth Howe Richards
page 84 of 89 (94%)
page 84 of 89 (94%)
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I love the morning light,--the freshness, the pearls and diamonds, the fairy linen spread on the grass to bleach (there be those who call it spider-web, but to such I speak not), the silver fog curling up from river and valley. I love it so much that I am loath to confess that sometimes the evening light is even more beautiful. Yet is there a softness that comes with the close of day, a glorification of common things, a drawing of purple shadows over all that is rough or unsightly, which makes the early evening perhaps the most perfect time of all the perfect hours. It was such an hour that now brooded over the little village, when the people came out from their houses to watch for Melody's coming. It is a pretty little village at all times, very small and straggling, but lovely with flowers and vines and dear, homely old houses, which have not found out that they are again in the fashion out of which they were driven many years ago, but still hold themselves humbly, with a respect for the brick and stucco of which they have heard from time to time. It is always pretty, I say, but this evening it had received some fresh baptism of beauty, as if the Day knew what was coming, and had pranked herself in her very best for the festival. The sunbeams slanted down the straggling, grass-grown road, and straightway it became an avenue of wonder, with gold-dust under foot, flecked here and there with emerald. The elms met over head in triumphal arches; the creepers on the low houses hung out wonderful scarfs and banners of welcome, which swung gold and purple in the joyous light. And as the people came out of their houses, now that the time was drawing near, lo! the light was on their faces too; and the plain New England men and women, in their prints and jeans, shone like the figures in a Venetian picture, and were all a-glitter with gold and precious stones |
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