Wagner's "Tristan und Isolde"; an essay on the Wagnerian drama by George Ainslie Hight
page 27 of 188 (14%)
page 27 of 188 (14%)
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trade and German handicrafts, while we English in our blindness think
to dispose of it by cant phrases and sneers. To the nearer friends of his home-circle Wagner's personality must have been singularly attractive, from the intelligent sympathy which he showed with everything human, and from the irrepressible gaiety which never forsook him for long. In times of stress it helped those around him to tide through the most crushing disasters. Genius is not a thing apart by itself, severed from the rest of the world. Its one distinguishing mark is its intense humanity. If I may speak in paradox, the true poet is more truly ourselves than we are. The astronomical telescope is constructed upon the same principles as the terrestrial one, only it is more powerful and more perfectly made. Not only the lenses, but all the details of the mechanism are more highly finished; more thought and more labour are bestowed upon them; the parts are more skilfully co-ordinated together; it is a better instrument. We do wrong to genius in connecting it with mental aberration; it is more normal, more perfectly human, than we are; more human in its virtues, in its faults, in its follies, above all, in its consummate beauty; only with its greater perfection the organism becomes more delicate, and is more easily injured. For genius is exposed to heavier strains than we are, because it is in uncongenial surroundings. If one part happen to be imperfect, if, as we say, "a screw be loose," the injury is more serious than in ordinary natures, and the exquisite adjustments may suffer in the rude handling of a stupid and clumsy environment, wrecking the whole system. This, and not natural proclivity, is the reason why genius so often shows a tendency to eccentric and abnormal conduct. The fault is with society, which feels instinctively that those who rise too high in excellence |
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