about tumblers. Why, what do you know about tumblers? At the time
when, to have been a tumbler in the mud of the streets, would have
been a godsend to me, a prize in the lottery to me, you were at the
Italian Opera. You were coming out of the Italian Opera, ma'am, in
white satin and jewels, a blaze of splendour, when I hadn't a penny
to buy a link to light you.'

'I certainly, sir,' returned Mrs. Sparsit, with a dignity serenely
mournful, 'was familiar with the Italian Opera at a very early
age.'

'Egad, ma'am, so was I,' said Bounderby, ' - with the wrong side of
it. A hard bed the pavement of its Arcade used to make, I assure
you. People like you, ma'am, accustomed from infancy to lie on
Down feathers, have no idea how hard a paving-stone is, without
trying it. No, no, it's of no use my talking to you about
tumblers. I should speak of foreign dancers, and the West End of
London, and May Fair, and lords and ladies and honourables.'

'I trust, sir,' rejoined Mrs. Sparsit, with decent resignation, 'it
is not necessary that you should do anything of that kind. I hope
I have learnt how to accommodate myself to the changes of life. If
I have acquired an interest in hearing of your instructive
experiences, and can scarcely hear enough of them, I claim no merit
for that, since I believe it is a general sentiment.'

'Well, ma'am,' said her patron, 'perhaps some people may be pleased
to say that they do like to hear, in his own unpolished way, what
Josiah Bounderby, of Coketown, has gone through. But you must
confess that you were born in the lap of luxury, yourself. Come,