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Passages from the French and Italian Notebooks, Volume 2. by Nathaniel Hawthorne
page 79 of 252 (31%)
greater part of it pretty faithfully. We had the good fortune, too,
again to get admittance into the cabinet of bronzes, where we admired
anew the wonderful airiness of John of Bologna's Mercury, which, as I now
observed, rests on nothing substantial, but on the breath of a zephyr
beneath him. We also saw a bronze bust of one of the Medici by Benvenuto
Cellini, and a thousand other things the curiosity of which is overlaid
by their multitude. The Roman eagle, which I have recorded to be about
the size of a blackbird, I now saw to be as large as a pigeon.

On our way towards the door of the gallery, at our departure, we saw the
cabinet of gems open, and again feasted our eyes with its concentrated
brilliancies and magnificences. Among them were two crystal cups, with
engraved devices, and covers of enamelled gold, wrought by Benvenuto
Cellini, and wonderfully beautiful. But it is idle to mention one or two
things, when all are so beautiful and curious; idle, too, because
language is not burnished gold, with here and there a brighter word
flashing like a diamond; and therefore no amount of talk will give the
slightest idea of one of these elaborate handiworks.


July 27th.--I seldom go out nowadays, having already seen Florence
tolerably well, and the streets being very hot, and myself having been
engaged in sketching out a romance [The Marble Faun.--ED.], which whether
it will ever come to anything is a point yet to be decided. At any rate,
it leaves me little heart for journalizing and describing new things; and
six months of uninterrupted monotony would be more valuable to me just
now, than the most brilliant succession of novelties.

Yesterday I spent a good deal of time in watching the setting out of a
wedding party from our door; the bride being the daughter of an English
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