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Passages from the French and Italian Notebooks, Complete by Nathaniel Hawthorne
page 136 of 504 (26%)
In truth, the frescos, excepting a few figures, never had the real touch
of Raphael's own hand upon them, having been merely designed by him, and
finished by his scholars, or by other artists.

The halls themselves are specimens of antique magnificence, paved with
elaborate mosaics; and wherever there is any wood-work, it is richly
carved with foliage and figures. In their newness, and probably for a
hundred years afterwards, there could not have been so brilliant a suite
of rooms in the world.

Connected with them--at any rate, not far distant--is the little Chapel
of San Lorenzo, the very site of which, among the thousands of apartments
of the Vatican, was long forgotten, and its existence only known by
tradition. After it had been walled up, however, beyond the memory of
man, there was still a rumor of some beautiful frescos by Fra Angelico,
in an old chapel of Pope Nicholas V., that had strangely disappeared out
of the palace, and, search at length being made, it was discovered, and
entered through a window. It is a small, lofty room, quite covered over
with frescos of sacred subjects, both on the walls and ceiling, a good
deal faded, yet pretty distinctly preserved. It would have been no
misfortune to me, if the little old chapel had remained still hidden.

We next issued into the Loggie, which consist of a long gallery, or
arcade or colonnade, the whole extent of which was once beautifully
adorned by Raphael. These pictures are almost worn away, and so defaced
as to be untraceable and unintelligible, along the side wall of the
gallery; although traceries of Arabesque, and compartments where there
seem to have been rich paintings, but now only an indistinguishable waste
of dull color, are still to be seen. In the coved ceiling, however,
there are still some bright frescos, in better preservation than any
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