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Passages from the French and Italian Notebooks, Complete by Nathaniel Hawthorne
page 72 of 504 (14%)
half the inner curve of a large oven. No one would imagine that there
was a church under that enormous heap of ancient rubbish. But the door
admits you into a circular vestibule, once an apartment of Diocletian's
Baths, but now a portion of the nave of the church, and surrounded with
monumental busts; and thence you pass into what was the central hall;
now, with little change, except of detail and ornament, transformed into
the body of the church. This space is so lofty, broad, and airy, that
the soul forthwith swells out and magnifies itself, for the sake of
filling it. It was Michael Angelo who contrived this miracle; and I feel
even more grateful to him for rescuing such a noble interior from
destruction, than if he had originally built it himself. In the ceiling
above, you see the metal fixtures whereon the old Romans hung their
lamps; and there are eight gigantic pillars of Egyptian granite, standing
as they stood of yore. There is a grand simplicity about the church,
more satisfactory than elaborate ornament; but the present pope has paved
and adorned one of the large chapels of the transept in very beautiful
style, and the pavement of the central part is likewise laid in rich
marbles. In the choir there are several pictures, one of which was
veiled, as celebrated pictures frequently are in churches. A person, who
seemed to be at his devotions, withdrew the veil for us, and we saw a
Martyrdom of St. Sebastian, by Domenichino, originally, I believe,
painted in fresco in St. Peter's, but since transferred to canvas, and
removed hither. Its place at St. Peter's is supplied by a mosaic copy.
I was a good deal impressed by this picture,--the dying saint, amid the
sorrow of those who loved him, and the fury of his enemies, looking
upward, where a company of angels, and Jesus with them, are waiting to
welcome him and crown him; and I felt what an influence pictures might
have upon the devotional part of our nature. The nailmarks in the hands
and feet of Jesus, ineffaceable, even after he had passed into bliss and
glory, touched my heart with a sense of his love for us. I think this
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