woman who could make such a commonplace thing as an apology worth
listening to. Iris stopped her as she was about to leave the room. "I
was just wishing for you," she said. "Let me introduce my old friend,
Mr. Mountjoy. Hugh, this is the lady who has been so kind to me--Mrs.
Vimpany."

Hugh's impulse, under the circumstances, was to dispense with the
formality of a bow, and to shake hands. Mrs. Vimpany met this friendly
advance with a suavity of action, not often seen in these days of
movement without ceremony. She was a tall slim woman, of a certain age.
Art had so cleverly improved her complexion that it almost looked like
nature. Her cheeks had lost the plumpness of youth, but her hair
(thanks again perhaps to Art) showed no signs of turning grey. The
expression of her large dark eyes--placed perhaps a little too near her
high aquiline nose--claimed admiration from any person who was so
fortunate as to come within their range of view. Her hands, long,
yellow, and pitiably thin, were used with a grace which checked to some
extent their cruel betrayal of her age. Her dress had seen better days,
but it was worn with an air which forbade it to look actually shabby.
The faded lace that encircled her neck fell in scanty folds over her
bosom. She sank into a chair by Hugh's side. "It was a great pleasure
to me, Mr. Mountjoy, to offer my poor services to Miss Henley; I can't
tell you how happy her presence makes me in our little house." The
compliment was addressed to Iris with every advantage that smiles and
tones could offer. Oddly artificial as it undoubtedly was, Mrs.
Vimpany's manner produced nevertheless an agreeable impression.
Disposed to doubt her at first, Mountjoy found that she was winning her
way to a favourable change in his opinion. She so far interested him,
that he began to wonder what her early life might have been, when she
was young and handsome. He looked again at the portraits of actresses