cupboard containing linen. All was clean, new, and horribly sharp in
tone. However, I admit the dining-room; it has some character, though
disagreeable; it represents that of the masters of the house. But
there is no enduring the five engravings that hang on the walls; the
Minister of the Interior ought really to frame a law against them. One
was Poniatowski jumping into the Elster; the others, Napoleon pointing
a cannon, the defence at Clichy, and the two Mazepas, all in gilt
frames of the vulgarest description,--fit to carry off the prize of
disgust. Oh! how much I prefer Madame Julliard's pastels of fruit,
those excellent Louis XV. pastels, which are in keeping with the old
dining-room and its gray panels,--defaced by age, it is true, but they
possess the true provincial characteristics that go well with old
family silver, precious china, and our simple habits. The provinces
are provinces; they are only ridiculous when they mimic Paris. I
prefer this old salon of my husband's forefathers, with its heavy
curtains of green and white damask, the Louis XV. mantelpiece, the
twisted pier-glasses, the old mirrors with their beaded mouldings, and
the venerable card tables. Yes, I prefer my old Sevres vases in royal
blue, mounted on copper, my clock with those impossible flowers, that
rococco chandelier, and the tapestried furniture, to all the finery of
the Rogron salon."

"What is the salon like?" said Monsieur Martener, delighted with the
praise the handsome Parisian bestowed so adroitly on the provinces.

"As for the salon, it is all red,--the red Mademoiselle Sylvie turns
when she loses at cards."

"Sylvan-red," said Monsieur Tiphaine, whose sparkling saying long
remained in the vocabulary of Provins.