Such was the arrival of Pierrette Lorrain in the home of her cousins,
who gazed at her with stolid eyes; she was tossed to them like a
package, with no intermediate state between the wretched chamber at
Saint-Jacques and the dining-room of her cousins, which seemed to her
a palace. She was shy and speechless. To all other eyes than those of
the Rogrons the little Breton girl would have seemed enchanting as she
stood there in her petticoat of coarse blue flannel, with a pink
cambric apron, thick shoes, blue stockings, and a white kerchief, her
hands being covered by red worsted mittens edged with white, bought
for her by the conductor. Her dainty Breton cap (which had been washed
in Paris, for the journey from Nantes had rumpled it) was like a halo
round her happy little face. This national cap, of the finest lawn,
trimmed with stiffened lace pleated in flat folds, deserves
description, it was so dainty and simple. The light coming through the
texture and the lace produced a partial shadow, the soft shadow of a
light upon the skin, which gave her the virginal grace that all
painters seek and Leopold Robert found for the Raffaelesque face of
the woman who holds a child in his picture of "The Gleaners." Beneath
this fluted frame of light sparkled a white and rosy and artless face,
glowing with vigorous health. The warmth of the room brought the blood
to the cheeks, to the tips of the pretty ears, to the lips and the end
of the delicate nose, making the natural white of the complexion
whiter still.

"Well, are you not going to say anything? I am your cousin Sylvie, and
that is your cousin Rogron."

"Do you want something to eat?" asked Rogron.

"When did you leave Nantes?" asked Sylvie.