The Poet's Poet by Elizabeth Atkins
page 308 of 367 (83%)
page 308 of 367 (83%)
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is no doubt that it is true. "What the imagination seizes as beauty must
be truth," Keats wrote, "whether it existed before or not." [Footnote: Letter to B. Baillie, November 17, 1817.] And again, "The imagination may be compared to Adam's dream--he awoke and found it truth." [Footnote: Letter to B. Baillie, November 17, 1817.] If the poet's intuitions are false, how does it chance, he inquires, that he has been known, in all periods of the world's history, as a prophet? Shelley says, "Poets are ... the mirrors of the gigantic shadows which futurity casts upon the present," and explains the phenomenon thus: "A poet participates in the eternal, the infinite, the one; so far as related to his conceptions, time and place and number are not." [Footnote: _A Defense of Poetry_.] In our period, verse dealing with the Scotch bard is fondest of stressing the immemorial association of the poet and the prophet, and in much of this, the "pretense of superstition" as Shelley calls it, is kept up, that the poet can foretell specific happenings. [Footnote: See, for example, Gray, _The Bard_; Scott, _The Lady of the Lake_, _The Lay of the Last Minstrel_, _Thomas the Rhymer_; Campbell, _Lochiel's Warning_.] But we have many poems that express a broader conception of the poet's gift of prophecy. [Footnote: See William Blake, Introduction to _Songs of Experience_, _Hear the Voice of the Bard_; Crabbe, _The Candidate_; Landor, _Dante_; Barry Cornwall, _The Prophet_; Alexander Smith, _A Life Drama_; Coventry Patmore, _Prophets Who Cannot Sing_; J. R. Lowell, _Massaccio_, Sonnet XVIII; Owen Meredith, _The Prophet_; W. H. Burleigh, _Shelley_; O. W. Holmes, _Shakespeare_; T. H. Olivers, _The Poet_, _Dante_; Alfred Austin, _The Poet's Corner_; Swinburne, _The Statue of Victor Hugo_; Herbert Trench, _Stanzas on Poetry_.] Holmes' view is typical: We call those poets who are first to mark |
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