The Advance of English Poetry in the Twentieth Century by William Lyon Phelps
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page 25 of 330 (07%)
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That had best been faced in earlier years:
The fact of life with dependence placed On the human heart's resource alone, In brotherhood bonded close and graced With loving-kindness fully blown, And visioned help unsought, unknown. Other poems that express what is and what ought to be the attitude of man toward God are _New Year's Eve, To Sincerity_, and the beautiful lyric, _Let Me Enjoy_, where Mr. Hardy has been more than usually successful in fashioning both language and rhythm into a garment worthy of the thought. No one can read _The Impercipient_ without recognizing that Mr. Hardy's atheism is as honest and as sincere as the religious faith of others, and that no one regrets the blankness of his universe more than he. He would believe if he could. Pessimism is the basis of all his verse, as it is of his prose. It is expressed not merely philosophically in poems of ideas, but over and over again concretely in poems of incident. He is a pessimist both in fancy and in fact, and after reading some of our sugary "glad" books, I find his bitter taste rather refreshing. The titles of his recent collections, _Time's Laughingstocks_ and _Satires of Circumstance_, sufficiently indicate the ill fortune awaiting his personages. At his best, his lyrics written in the minor key have a noble, solemn adagio movement. At his worst--for like all poets, he is sometimes at his worst--the truth of life seems rather obstinately warped. Why should legitimate love necessarily bring misery, and illegitimate passion produce permanent happiness? And in the piece, |
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