The Advance of English Poetry in the Twentieth Century by William Lyon Phelps
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page 31 of 330 (09%)
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beast; a beautiful characteristic of our great writer is his
tenderness for every living thing. He will be missed by men, women, children, and by the humblest animals; and if trees have any self-consciousness, they will miss him too. Rudyard Kipling is a Victorian poet, as Thomas Hardy is a Victorian novelist. When Tennyson died in 1892, the world, with approximate unanimity, chose the young man from the East as his successor, and for twenty-five years he has been the Laureate of the British Empire in everything but the title. In the eighteenth century, when Gray regarded the offer of the Laureateship as an insult, Mr. Alfred Austin might properly have been appointed; but after the fame of Southey, and the mighty genius of Wordsworth and of Tennyson, it was cruel to put Alfred the Little in the chair of Alfred the Great. It was not an insult to Austin, but an insult to Poetry. With the elevation of the learned and amiable Dr. Bridges in 1913, the public ceased to care who holds the office. This eminently respectable appointment silenced both opposition and applause. We can only echo the language of Gray's letter to Mason, 19 December, 1757: "I interest myself a little in the history of it, and rather wish somebody may accept it that will retrieve the credit of the thing, if it be retrievable, or ever had any credit.... The office itself has always humbled the professor hitherto (even in an age when kings were somebody), if he were a poor writer by making him more conspicuous, and if he were a good one by setting him at war with the little fry of his own profession, for there are poets little enough to envy even a poet-laureat." Mason was willing. Rudyard Kipling had the double qualification of poetic genius and of convinced Imperialism. He had received a formal accolade from the aged |
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