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The Advance of English Poetry in the Twentieth Century by William Lyon Phelps
page 34 of 330 (10%)
Other writers have gone on with the good work, and they have between
them manufactured the cheery, devil-may-care, lovable person enshrined
in our hearts as Thomas Atkins. Before he had learned from reading
stories about himself that he, as an individual, also possessed the
above attributes, he was mostly ignorant of the fact. My early
recollections of the British soldier are of a bluff, rather surly
person, never the least jocose or light-hearted except perhaps when he
had too much beer."

This is extraordinary testimony to the power of literature--from a
first-class fighting man. It is as though John Sargent should paint an
inaccurate but idealized portrait, and the original should make it
accurate by imitation. The soldiers were transformed by the renewing
of their minds. Beholding with open face as in a glass a certain
image, they were changed into the same image, by the spirit of the
poet. This is certainly a greater achievement than correct reporting.
It is quite possible, too, that the _officers_' attitude toward
Tommy Atkins had been altered by the _Barrack-Room Ballads_, and
this new attitude produced results in character.

I give General Younghusband's testimony for what it is worth. It is
important if true. But it is only fair to add that it has been
contradicted by another military officer, who affirms that Kipling
reported the soldier as he was. Readers may take their choice. At all
events the transformation of character by discipline, cleanliness,
hard work, and danger is the ever-present moral in Mr. Kipling's
verse. He loves to take the raw recruit or the boyish, self-conscious,
awkward subaltern, and show how he may become an efficient man, happy
in the happiness that accompanies success. It is a Philistine goal,
but one that has the advantage of being attainable. The reach of this
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