The Advance of English Poetry in the Twentieth Century by William Lyon Phelps
page 65 of 330 (19%)
page 65 of 330 (19%)
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the reader: how could a University Professor of Latin write this kind
of poetry, and how, after having published it, could he refrain from writing more? Since the date of its appearance, he has published an edition of _Manilius_, Book I, followed nine years later by Book II; also an edition of _Juvenal_, and many papers representing the result of original research. Possibly Chill Pedantry repressed his noble rage, And froze the genial current of his soul. Alfred Edward Housman was born on the twenty-sixth of March, 1859, was graduated from Oxford, was Professor of Latin at University College, London, from 1892 to 1911, and since then has been Professor of Latin at Cambridge. Few poets have made a deeper impression on the literature of the time than he; and the sixty-three short lyrics in one small volume form a slender wedge for so powerful an impact. This poetry, except in finished workmanship, follows no English tradition; it is as unorthodox as Samuel Butler; it is thoroughly "modern" in tone, in temper, and in emphasis. Although entirely original, it reminds one in many ways of the verse of Thomas Hardy. It has his paganism, his pessimism, his human sympathy, his austere pride in the tragedy of frustration, his curt refusal to pipe a merry tune, to make one of a holiday crowd. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck's a chance, but trouble's sure, I'd face it as a wise man would, And train for ill and not for good. |
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