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The Jealousies of a Country Town by Honoré de Balzac
page 53 of 376 (14%)
so like nobility.

The house in which Mademoiselle Cormon lived, build in Henri IV.'s
time, by Pierre Cormon, the steward of the last Duc d'Alencon, had
always belonged to the family; and among the old maid's visible
possessions this one was particularly stimulating to the covetous
desires of the two old lovers. Yet, far from producing revenue, the
house was a cause of expense. But it is so rare to find in the very
centre of a provincial town a private dwelling without unpleasant
surroundings, handsome in outward structure and convenient within,
that Alencon shared the envy of the lovers.

This old mansion stands exactly in the middle of the rue du Val-Noble.
It is remarkable for the strength of its construction,--a style of
building introduced by Marie de' Medici. Though built of granite,--a
stone which is hard to work,--its angles, and the casings of the doors
and windows, are decorated with corner blocks cut into diamond facets.
It has only one clear story above the ground-floor; but the roof,
rising steeply, has several projecting windows, with carved spandrels
rather elegantly enclosed in oaken frames, and externally adorned with
balustrades. Between each of these windows is a gargoyle presenting
the fantastic jaws of an animal without a body, vomiting the
rain-water upon large stones pierced with five holes. The two gables
are surmounted by leaden bouquets,--a symbol of the bourgeoisie; for
nobles alone had the privilege in former days of having weather-vanes.
To right of the courtyard are the stables and coach-house; to left,
the kitchen, wood-house, and laundry.

One side of the porte-cochere, being left open, allowed the passers in
the street to see in the midst of the vast courtyard a flower-bed, the
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