The great epics of the world have always constituted one of the most
popular branches of literature. Yet how few, comparatively, ever read
Homer or Virgil after leaving school.

The _Nibelungenlied_, our great Anglo-Saxon epic, is perhaps too much
neglected, no doubt on account of its painful character. Brunhild and
Kriemhild, indeed, are far from perfect, but we meet with few such "live"
women in Greek or Roman literature. Nor must I omit to mention Sir T.
Malory's _Morte d'Arthur_, though I confess I do so mainly in deference to
the judgment of others.

Among the Greek tragedians I include Aeschylus, if not all his works, at
any rate _Prometheus_, perhaps the sublimest poem in Greek literature, and
the _Trilogy_ (Mr. Symonds in his _Greek Poets_ speaks of the "unrivalled
majesty" of the _Agamemnon_, and Mark Pattison considered it "the grandest
work of creative genius in the whole range of literature"); or, as Sir M.
E. Grant Duff recommends, the _Persae_; Sophocles (_Oedipus Tyrannus_),
Euripides (_Medea_), and Aristophanes (_The Knights_ and _Clouds_);
unfortunately, as Schlegel says, probably even the greatest scholar does
not understand half his jokes; and I think most modern readers will prefer
our modern poets.

I should like, moreover, to say a word for Eastern poetry, such as
portions of the _Maha Bharata_ and _Ramayana_ (too long probably to be
read through, but of which Talboys Wheeler has given a most interesting
epitome in the first two volumes of his _History of India_); the
_Shah-nameh_, the work of the great Persian poet Firdusi; Kalidasa's
_Sakuntala_, and the Sheking, the classical collection of ancient Chinese
odes. Many I know, will think I ought to have included Omar Khayyam.