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In and out of Three Normady Inns by Anna Bowman Dodd
page 24 of 337 (07%)
arrayed in totally different raiment, were grave or gay, glowing with
color or shrouded in mists, according to the mood and temper of the
sun, the winds, and the tides.

[Illustration: ON THE BEACH--VILLERVILLE]

The width of the sky overhanging this space was immense; not a scrap,
apparently, was left over to cover, decently, the rest of the earth's
surface--of that one was quite certain in looking at this vast inverted
cup overflowing with ether. What there was of land was a very sketchy
performance. Opposite ran the red line of the Havre headlands.

Following the river, inland, there was a pretence of shore, just
sufficiently outlined, like a youth's beard, to give substance to one's
belief in its future growth and development. Beneath these windows the
water, hemmed in by this edge of shore, panted, like a child at play;
its sighs, liquid, lisping, were irresistible; one found oneself
listening for the sound of them as if they had issued from a human
throat. The humming of the bees in the garden, the cry of a fisherman
calling across the water, the shout of the children below on the beach,
or, at twilight, the chorusing birds, carolling at full concert pitch;
this, at most, was all the sound and fury the sea beach yielded.

The windows opening on the village street let in a noise as tumultuous
as the sea was silent. The hubbub of a perpetual babble, all the louder
for being compressed within narrow space, was always to be heard; it
ceased only when the village slept. There was an incessant clicking
accompaniment to this noisy street life; a music played from early dawn
to dusk over the pavement's rough cobbles--the click clack, click clack
of the countless wooden sabots.
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