America To-day, Observations and Reflections by William Archer
page 141 of 172 (81%)
page 141 of 172 (81%)
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upon us an exclusive right to determine what is good English, and to
write it correctly and vigorously. We are apt in England to class as an "Americanism" every unfamiliar, or too familiar, locution which we do not happen to like. As a matter of fact, there is a pretty lively interchange between the two countries of slipshod and vulgar "journalese;" and as the picturesque reporter is a greater power in America than he is with us, we perhaps import more than we export of this particular commodity. But there can be no rational doubt, I think, that the English language has gained, and is gaining, enormously by its expansion over the American continent. The prime function of a language, after all, is to interpret the "form and pressure" of life--the experience, knowledge, thought, emotion, and aspiration of the race which employs it. This being so, the more tap-roots a language sends down into the soil of life, and the more varied the strata of human experience from which it draws its nourishment, whether of vocabulary or idiom, the more perfect will be its potentialities as a medium of expression. We must be careful, it is true, to keep the organism healthy, to guard against disintegration of tissue; but to that duty American writers are quite as keenly alive as we. It is not a source of weakness but of power and vitality to the English language that it should embrace a greater variety of dialects than any other civilised tongue. A new language, says the proverb, is a new sense; but a multiplicity of dialects means, for the possessors of the main language, an enlargement of the pleasures of the linguistic sense without the fatigue of learning a totally new grammar and vocabulary. So long as there is a potent literary tradition keeping the core of the language one and indivisible, vernacular variations can only tend, in virtue of the survival of the fittest, to promote the abundance, suppleness, and nicety of adaptation of the language as a literary instrument. The English language is no mere historic monument, like Westminster Abbey, |
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