new sewage canal is a gigantically costly blunder; and indeed one cannot
but sympathise with the citizens of St. Louis in inquiring by what right
Chicago converts the Mississippi into her main sewer. But if Professor
Zueblin chastises Chicago with whips, Mr. Henry B. Fuller, it would
seem, lashes her with scorpions. Mr. Fuller is one of the leading
novelists of the city--for Chicago, be it known, had a nourishing and
characteristic literature of her own long before Mr. Dooley sprang into
fame. The author of _The Cliff-Dwellers_ is alleged to have said that
the Anglo-Saxon race was incapable of art, and that in this respect
Chicago was pre-eminently Anglo-Saxon. "Alleged," I say, for reports of
lectures in the American papers are always to be taken with caution, and
are very often as fanciful as Dr. Johnson's reports of the debates in
Parliament. The reporter is not generally a shorthand writer. He jots
down as much as he conveniently can of the lecturer's remarks, and
pieces them out from imagination. Thus, I am not at all sure what Mr.
Fuller really said; but there is no doubt whatever of the indignation
kindled by his diatribe. Deny her artistic capacities and sensibilities,
and you touch Chicago in her tenderest point. Moreover, Mr. Fuller's
onslaught encouraged several other like-minded critics to back him up,
so that the city has been writhing under the scourges of her
epigrammatists. I have before me a letter to one of the evening papers,
written in a tone of academic sarcasm which proves that even the
supercilious and "donnish" element is not lacking in Chicago culture. "I
know a number of artists," says the writer, "who came to Chicago, and
after staying here for a while, went away and achieved much success in
New York, London, and Paris. The appreciation they received here gave
them the impetus to go elsewhere, and thus brought them fame and
fortune." Whatever foundation there may be for these jibes, they are in
themselves a sufficient evidence that Chicago is alive to her
opportunities and responsibilities. She is, in her own vernacular,