And in the book it said, "It can be maintained that the evil
of pride consists in being out of proportion to the universe."
So the backwoodsman put down his book, took his axe and,
working eight hours a day for about a week, cut the giant's head off;
and there was an end of him.

Such is the severe yet salutary history of Paul. But Peter, oddly
enough, made exactly the opposite request; he said he had long
wished to be a pigmy about half an inch high; and of course he
immediately became one. When the transformation was over he found
himself in the midst of an immense plain, covered with a tall green
jungle and above which, at intervals, rose strange trees each with
a head like the sun in symbolic pictures, with gigantic rays of
silver and a huge heart of gold. Toward the middle of this prairie
stood up a mountain of such romantic and impossible shape, yet of
such stony height and dominance, that it looked like some incident
of the end of the world. And far away on the faint horizon he
could see the line of another forest, taller and yet more mystical,
of a terrible crimson colour, like a forest on fire for ever. He
set out on his adventures across that coloured plain; and he has
not come to the end of it yet.

Such is the story of Peter and Paul, which contains all the highest
qualities of a modern fairy tale, including that of being wholly unfit
for children; and indeed the motive with which I have introduced
it is not childish, but rather full of subtlety and reaction.
It is in fact the almost desperate motive of excusing or palliating
the pages that follow. Peter and Paul are the two primary influences
upon European literature to-day; and I may be permitted to put my own
preference in its most favourable shape, even if I can only do it