is really nothing (excepting the money) that I shall be at all
surprised at finding among them.

. . . . .

Such at least has hitherto been my state of innocence.
I here only wish briefly to recall the special, extraordinary,
and hitherto unprecedented circumstances which led me in
cold blood, and being of sound mind, to turn out my pockets.
I was locked up in a third-class carriage for a rather long journey.
The time was towards evening, but it might have been anything,
for everything resembling earth or sky or light or shade
was painted out as if with a great wet brush by an unshifting
sheet of quite colourless rain. I had no books or newspapers.
I had not even a pencil and a scrap of paper with which
to write a religious epic. There were no advertisements
on the walls of the carriage, otherwise I could have plunged
into the study, for any collection of printed words is quite
enough to suggest infinite complexities of mental ingenuity.
When I find myself opposite the words "Sunlight Soap" I can
exhaust all the aspects of Sun Worship, Apollo, and Summer
poetry before I go on to the less congenial subject of soap.
But there was no printed word or picture anywhere; there was
nothing but blank wood inside the carriage and blank wet without.
Now I deny most energetically that anything is, or can
be, uninteresting. So I stared at the joints of the walls and seats,
and began thinking hard on the fascinating subject of wood.
Just as I had begun to realise why, perhaps, it was that Christ
was a carpenter, rather than a bricklayer, or a baker,
or anything else, I suddenly started upright, and remembered